A.I Portraits | Sheng Lin Studio

Sheng Lin

Bay Area, CA

_____, 2021

A.I digital

2048 x 2048 px

Brane - Angel 11

Seraphine

Another Pearl

Subject, 2021

A.I digital

2048 x 2048 px

https://longconmag.com/issue-7/sheng-lin/

My Subject series, in particular, responds to Ukraine artist Julian Savko’s Portrait of the orphan Sashko Budyak (1974). Sashko’s subtle yet complicated expression reminded me of my time in Serbia, on a short missionary trip to help children overcome challenges associated with poverty. This portrait series uses Sashko’s face as a basis, hinting at a kind of misfortunate childhood through subtle changes in facial expressions. The generated images encapsulate the original painting while reinterpreting it to include my personal experience in Serbia.

https://longconmag.com/issue-7/sheng-lin/

My Subject series, in particular, responds to Ukraine artist Julian Savko’s Portrait of the orphan Sashko Budyak (1974). Sashko’s subtle yet complicated expression reminded me of my time in Serbia, on a short missionary trip to help children overcome challenges associated with poverty. This portrait series uses Sashko’s face as a basis, hinting at a kind of misfortunate childhood through subtle changes in facial expressions. The generated images encapsulate the original painting while reinterpreting it to include my personal experience in Serbia.

https://longconmag.com/issue-7/sheng-lin/

My Subject series, in particular, responds to Ukraine artist Julian Savko’s Portrait of the orphan Sashko Budyak (1974). Sashko’s subtle yet complicated expression reminded me of my time in Serbia, on a short missionary trip to help children overcome challenges associated with poverty. This portrait series uses Sashko’s face as a basis, hinting at a kind of misfortunate childhood through subtle changes in facial expressions. The generated images encapsulate the original painting while reinterpreting it to include my personal experience in Serbia.

https://longconmag.com/issue-7/sheng-lin/

My Subject series, in particular, responds to Ukraine artist Julian Savko’s Portrait of the orphan Sashko Budyak (1974). Sashko’s subtle yet complicated expression reminded me of my time in Serbia, on a short missionary trip to help children overcome challenges associated with poverty. This portrait series uses Sashko’s face as a basis, hinting at a kind of misfortunate childhood through subtle changes in facial expressions. The generated images encapsulate the original painting while reinterpreting it to include my personal experience in Serbia.

https://longconmag.com/issue-7/sheng-lin/

My Subject series, in particular, responds to Ukraine artist Julian Savko’s Portrait of the orphan Sashko Budyak (1974). Sashko’s subtle yet complicated expression reminded me of my time in Serbia, on a short missionary trip to help children overcome challenges associated with poverty. This portrait series uses Sashko’s face as a basis, hinting at a kind of misfortunate childhood through subtle changes in facial expressions. The generated images encapsulate the original painting while reinterpreting it to include my personal experience in Serbia.

Heather, 2021

A.I digital

2048 x 2048 px

Heather

Heather

Heather

Heather

Heather

Heather

Heather

Heather

Heather

Heather

Heather

Heather

Heather

Heather

A-Z, 2021

A.I digital

2048 x 2048 px

Blue, 2021

A.I digital

2048 x 2048 px

https://dividemagazine.com/

Featured in Issue 2 of Divide Magzine page 16

https://dividemagazine.com/

Featured in Issue 2 of Divide Magzine page 17

https://dividemagazine.com/

Featured in Issue 2 of Divide Magzine page 19

ZomZom, 2021

A.I digital

2048 x 2048 px